In Marin / CONVERSATION
We strive to raise $1,000,000 to provide education,
critical support, and enrichment for school-aged children
in Marin who have limited opportunities.
Marin County is among the wealthiest counties in the
country, yet there are thousands of underserved youth
lacking shelter, food, education and basic resources.
You can help Marin youth by being one of the 1,000
people donating $1,000. The first $50,000 raised will
be matched by generous donors.
YOUR $1,000 MAKES MARIN STRONGER
• $1,000 makes summer camp a reality for
150 low-income, special needs children.
• $1,000 puts books into the hands of more than
100 at-risk youth in Marin.
• $1,000 provides counseling for 20 children for
an entire school year.
• $1,000 covers mental health services for 15 children.
• $1,000 helps five children aging out of foster care
set up a new living situation.
Be one of the 1,000 Marinites to launch this program!
Show your strength by making your tax-deductible
1000Strong donation today!
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Thank You Inaugural
Cristy & John Barnes
Jessica & Mike Berry
Kathleen & Stephen Bradley
Courtney & Drew Finnegan
Jennie Lee & John Gill
Kristina & Greg Hoffman
Brittany & Pete Olsen
Lisa & Travis Pearson
Hope & Matt Timberlake
Georgene Tozzi Foundation
Thank You Matching Donors!
Sheri & Dayton Coles
Jeannie & Christopher Smith
Georgene Tozzi Foundation
Gruber Family Foundation
1,000 Donors • $1,000 Dollars • Helping Thousands of Marin Youth In Need
1000Strong is maintained and operated by Marin Charitable, a section 501(C)( 3)
organization, operating since 1961.
email@example.com | www.marincharitable.org
Marin Charitable is proud to launch 1000Strong, an effort to
raise $1,000,000 from 1,000 people donating $1,000 each.
SONOMA DID IT... TAHOE DID IT… MARIN CAN, TOO!
Do poems come to you quickly and get written quickly? Or are they the result of labored
rewrites and revisions? I usually have a good
sense of the full poem by the end of the first
draft, but they all get some rewriting, and
asked if they might be made better. “Vilnius,”
the poem we just discussed, came rather
quickly, and stayed fairly close to the words
it arrived in. Others go through as many as
85 revisions. (I do use both sides of the paper,
to respect the trees.) But it’s rare for me to
struggle with a single poem for months. I
can think of only one, a poem in which I was
trying to find some adequate response to the
1989 Velvet Revolution in Eastern Europe.
For a time it seemed as if enormous political
change might occur almost entirely without
violence, and yet, given the history of suffering
and bloodshed in those countries, simple happiness seemed an insufficient and superficial
response. My unease proved prescient — later
came the enormous horror of Bosnia.
Please talk more about how you begin to write
a poem. Sometimes poems come of what feels
like their own accord — a line begins to say
itself in my ear, I listen, I write, another line
arrives. Other times, I’m shaken in some way,
by an event in my life or the larger world’s life,
by a thought, a fear, a grief. Finding a poem is
what lets me find a way through what feels like
an impenetrable thicket. Poems are answers
to the questions that can’t be answered.
For someone missing the poetry gene, what
can be done to appreciate poetry? It helps
if you enter a poem with your ears and your
heart, not just your mind. The text on the
page, the shape of the lines, is a score for
conducting inside yourself a piece of experience that needs your voice, your life’s own
experience and knowledge and response, to
be played. Poems hover bet ween inner and
outer worlds. They’re messages holding the
kinds of thinking and feeling we’re often
too shy to speak aloud. The most powerful
moments of our lives cry out for the deepening and acknowledgment that hard-to-find
words can bring them. Poems let you enter
those moments more fully, and they also stop
them from fading. They set the colors of your
inner life the way fixatives set a dye, and they